Ana Popovic
The talented Serbian guitarist has a strong connection to Italy and, although she has lived with her family in California for many years, she splits her tours evenly between America and Europe. On November 27, she kicked off a brief series of concerts in Europe starting from Milan: we met Ana Popovic for this occasion.
Is this your first time playing at the Blue Note in Milan?
Yes, it is my first time; I have played in Milan before but never at the Blue Note. I am very excited about this opportunity.
The first time I interviewed you was in 2007, and your band had four members. However, for some years now, you have been using a horn section, both in albums and live performances. Is this the lineup you prefer?
To be honest, I love to alternate, and I still sometimes play only with keyboards, bass, and drums. However, today my preference definitely leans towards the larger ensemble. I enjoy the sound that horns can provide and the expressive richness that my songs achieve in that context. I believe it is part of an evolution that my music has undergone; often we arrange older pieces by adding saxophones and trumpets.
Could you tell me more about the Fantastafunk project?
Sure! It is a big band project consisting of 11 members, featuring a larger horn section, a percussionist, and three backing vocalists. This setup allows me to present some of my songs in a new way, blending styles and mixing sounds and genres like funk, soul, and blues. We aim to develop catchy grooves and excellent musicianship that the audience can appreciate and remember. I truly have excellent musicians supporting me in this project.
Ana Popovic Live – courtesy of Ana Popovic
The first song you released with this formation, “Queen of The Pack,” is very engaging. You even recorded the video in Rome with some Italian backing vocalists, alongside Claudio Giovagnoli, Davide Ghidoni, and Michele Papadia who have been playing with you for many years. Do you have a special connection to Italy?
Absolutely! I love Italy; it is a beautiful country in many respects. I visit quite often because my sister lives in Genoa. Not only do I enjoy performing but also going around as a tourist: there are stunning places to see, and of course, the food is excellent.
When “Live for Live” was released, we didn’t know you were going through a very difficult time: despite your breast cancer diagnosis and subsequent chemotherapy treatments, you continued to compose and play. Can we say that music was your salvation?
Yes, it was: I had lost my mother Vesna to the same cause a few years before, and in 2020 the cancer diagnosis was a terrible moment. During that time, I had tremendous support from my family, and even though I had to stop for a long while, my bassist Buthel always encouraged me not to give up and to find the strength to keep playing. When possible, he urged me to rediscover the joy of performing live: bringing joy to the audience and receiving it back in return. That event marked a turning point in my life. And yes, I believe I can say that music saved me.
But now you are healed and feeling well?
Yes, thank you! Now I feel good and with renewed strength.
In fact, the result is your latest album “Power,” which seems to capture the numerous emotions you experienced during your illness.
Undoubtedly every song on “Power” has great strength; as the title suggests, it is a celebration of the power of music, life, friendship, and the ability to overcome the most challenging moments of my life. The recording took place in various cities from Los Angeles to Detroit, Dallas to Orlando; however, it is all united by positive messages about communicating the importance of fully living one’s passions which can save lives like mine.
Photo by Dinko Denovski
You are often on tour but already have a new album in preparation: do you compose alone or how do other musicians contribute?
Usually Buthel composes with me; however, once we have a sort of skeleton of the new song, everyone adds their personal touch. It’s interesting how Michele develops an idea that is then completed by Davide’s and Claudio’s horns. The result differs when played with my American musicians: it’s always great, but that’s the advantage of playing with so many excellent artists.
So, at Blue Note you’re with your European group?
Of course! Michele has been playing with me for 18 years while Claudio and Davide have been with me for 10 years: I am very happy to perform with them; we have developed great synergy.
Finally, I’d like to ask for your opinion: we are increasingly reviewing albums by female musicians—not just singers—leading male bands. Is there perhaps a “girl power” emerging?
Probably yes; at least today it is easier for a woman to be a band leader. It seems quite normal in North America: there aren’t different treatments there. Sometimes I’ve noticed differences in some European countries; it always depends on people involved. However, I like to think that generally there aren’t significant differences or discrimination.
Thank you very much for your time; we wish you all the best!
Thank you so much! See you soon.
Luca Zaninello
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